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Sunday, June 14, 2015
Friday, June 12, 2015
Neil Gaiman and Kazuo Ishiguro talk about genre
Today is a day that is tinged a little with grey.
The husband of a friend passed away early in the morning. I have never met him before. yet I cannot shake away the feeling of melancholy. Their child is very young. So was he.
At night, I received news of screen legend Sir Christopher Lee's passing. He was 93. He had spent more than half a century giving us iconic roles like Count Dracula, and Saruman.
A few weeks earlier, a friend dear to my heart lost her older sister too. When I was with her in Singapore, I struggled to find words to tell her. She looked strong, we laughed through the day, but I wished that was enough to help her momentarily forget her pain.
Recent events are constantly reminding me about the impermanence of life. I do not know what to do, except to just live the moment, I guess.
Just now I had the pleasure of reading a nice article on The New Statesman featuring two literary giants, Neil Gaiman and Kazuo Ishiguro, talking about the complications of genres, politics of storytelling, and the like.
In an article filled with wonderful quotes, I'm going to highlight a few that I really liked.
The husband of a friend passed away early in the morning. I have never met him before. yet I cannot shake away the feeling of melancholy. Their child is very young. So was he.
At night, I received news of screen legend Sir Christopher Lee's passing. He was 93. He had spent more than half a century giving us iconic roles like Count Dracula, and Saruman.
A few weeks earlier, a friend dear to my heart lost her older sister too. When I was with her in Singapore, I struggled to find words to tell her. She looked strong, we laughed through the day, but I wished that was enough to help her momentarily forget her pain.
Recent events are constantly reminding me about the impermanence of life. I do not know what to do, except to just live the moment, I guess.
Just now I had the pleasure of reading a nice article on The New Statesman featuring two literary giants, Neil Gaiman and Kazuo Ishiguro, talking about the complications of genres, politics of storytelling, and the like.
Posted by Edmund Yeo on Wednesday, June 10, 2015
In an article filled with wonderful quotes, I'm going to highlight a few that I really liked.
Sunday, June 07, 2015
Vague impressions of Marina Bay, Singapore
Up until my teens, Singapore was like a second home to me. Not only was I born there, due to my father's work, my family were visiting almost every other week, or at least once a month.
We used to live in the Mandarin Oriental, and from there, we could easily go to the Marina Square shopping mall, either for the food court, for the bookshops, for the video game shops, the cinemas and the like. My childhood memories of the place are quite vivid. My nostalgia is tinged with bittersweetness, not because I yearn for it again, but because I marvel at the child who was myself, who did not expect the many things that he would live through in the future.
Therefore, during these short days in Singapore, my father would usually drive from the Marina area to Orchard Road, to visit the places we liked, like the now-gone Borders bookshop, or HMV, or Ngee Ann city and its trustworthy Kinokuniya.
From the window of my hotel room, or within the car, I was very familiar with the skyline of Singapore. At that time, in my earliest recollection, the OUB Centre (now known as the One Raffles Place) and Westin Stamford Hotel (now known as Swissôtel The Stamford) were the tallest buildings, towering over the rest. A few years later, it was joined by the OUB Plaza. These three tall buildings dominated my consciousness for a very long time, and had remained the Singapore skyline of my mind.
We used to live in the Mandarin Oriental, and from there, we could easily go to the Marina Square shopping mall, either for the food court, for the bookshops, for the video game shops, the cinemas and the like. My childhood memories of the place are quite vivid. My nostalgia is tinged with bittersweetness, not because I yearn for it again, but because I marvel at the child who was myself, who did not expect the many things that he would live through in the future.
Therefore, during these short days in Singapore, my father would usually drive from the Marina area to Orchard Road, to visit the places we liked, like the now-gone Borders bookshop, or HMV, or Ngee Ann city and its trustworthy Kinokuniya.
From the window of my hotel room, or within the car, I was very familiar with the skyline of Singapore. At that time, in my earliest recollection, the OUB Centre (now known as the One Raffles Place) and Westin Stamford Hotel (now known as Swissôtel The Stamford) were the tallest buildings, towering over the rest. A few years later, it was joined by the OUB Plaza. These three tall buildings dominated my consciousness for a very long time, and had remained the Singapore skyline of my mind.
Saturday, June 06, 2015
360° music videos
Quite an eye-opener!
An hour ago, I saw Lesly the cinematographer sharing Björk’s new music video on Facebook. It's for 'Stonemilker', from her latest album Vulnicura.
What blew my mind is the fact that it's in 360°!
An hour ago, I saw Lesly the cinematographer sharing Björk’s new music video on Facebook. It's for 'Stonemilker', from her latest album Vulnicura.
What blew my mind is the fact that it's in 360°!
Friday, May 29, 2015
Winning an award at the Cannes Short Film Corner...
Recently, a local filmmaker named Indrani Kopal had won an award from a student showcase that was part of the Cannes Short films Corner. Good for her, congrats!
But somehow, the media had been mistaking her award as an actual, official award from the Cannes Film Festival itself. We don't think we should lie to ourselves about these things (no, I'm not implying Indrani's doing that, she knows pretty well what the award is, but there are too many misleading articles since her win).
So... today, after reading one article to many that showed the writer's lack of research and knowledge on these film festival stuff, I decided to write this lengthy post in response to Edgar Ong's article (more like a poorly constructed rant piece, really), "M’sian wins at Cannes but potential winner at home is banned!"
I can't let this stand.
But somehow, the media had been mistaking her award as an actual, official award from the Cannes Film Festival itself. We don't think we should lie to ourselves about these things (no, I'm not implying Indrani's doing that, she knows pretty well what the award is, but there are too many misleading articles since her win).
So... today, after reading one article to many that showed the writer's lack of research and knowledge on these film festival stuff, I decided to write this lengthy post in response to Edgar Ong's article (more like a poorly constructed rant piece, really), "M’sian wins at Cannes but potential winner at home is banned!"
I can't let this stand.
Thursday, May 28, 2015
RIVER OF EXPLODING DURIANS @ Green Film Festival in Seoul 2015 + TALE OF IYA + THE VANQUISHING OF THE WITCH BABA YAGA
Two weeks ago, RIVER OF EXPLODING DURIANS was screened at the Green Film Festival in Seoul... which was in Seoul. Based on its official website, the Green Film Festival in Seoul (GFFIS) "is the film festival to seek the co-existence between humans and the environment through cinema. Green matters have become one of our common issues, but we still want to meet more people and share the green messages together. We are still living in the age of reckless development, environmental destruction, climate change and poverty. The GFFIS dreams of the co-existence between humans and nature, the alternatives for the future, and the ways to put ideas into action through films. Until the day all these dreams come into reality, we will be here with you and do our works.".
Friday, May 22, 2015
Just some of my photos of Hong Kong (May 2015)
On my trip to Seoul for the Green Film Festival in Seoul last week, I stopped over in Hong Kong for three nights.
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