Check out the two clips from Woo Ming Jin's THE TIGER FACTORY

In exactly 12 hours I'll be flying off to Rotterdam. Aside from my own short film EXHALATION, I'm also there for Ming Jin's THE TIGER FACTORY, which is the feature film spin-off of my short, INHALATION (hah). Since he can't make it to the festival, it's all up to me to handle his Q and A sessions as well after each screening. Fun.

Discussing my short film 'EXHALATION' with Toronto J-Film Pow-Wow

Less than two days left before I head off to Rotterdam International Film Festival, so pardon the onslaught of EXHALATION stuff here.



While preparing an EXHALATION press kit for the festival last week, I enlisted the help of Toronto J-Film Pow-Wow's Marc Saint-Cyr to conduct a short interview regarding the film.

Marc Saint-Cyr had previously reviewed EXHALATION.

The short interview is here.

I'll share an exchange from the Q and A regarding why I alternated between black-and-white and colour in the film.

MSC: How did you decide which sequences in the film would be in black-and-white or color?

EY: The black-and-white, was, in fact, a last-minute decision made during post-production. I remembered reading an interview with Andrei Tarkovsky where he pointed out that a black-and-white film immediately creates the impression that your attention is concentrated on what is most important. On the screen, color imposes itself on you.

In order to underline the melancholic undertone of the film, I decided to drain most scenes of their colors. I inserted colours in certain scenes when I needed to accentuate the emotional states of the protagonists. A feeling of brief warmth, or lingering sadness, or an abrupt break from monotony. In the end it was an experiment of sorts for storytelling.

(UPDATED: The Tarkovsky interview I was referring to is here.)

5-minute previews of my short films EXHALATION and INHALATION

If you are one of the 3 people who had been following my filmmaking escapades so far, you'll know that I've made two short films, EXHALATION and INHALATION. Both are similarly titled and shared many common themes, but are ultimately two (vastly) different films.

我是个比较孤独的人-好戏网专访马来西亚新锐导演杨毅恒（我） "I'm quite a loner" - My interview in China's Mask9

Switching to Mandarin...

嗨， 朋友们。

最近接受了中国的《好戏网》访问。 他们已经将采访专题发布在《好戏网》的首页推荐。

若有兴趣的话， 请通过以下链接查看。 呵呵。

我是个比较孤独的人-好戏网专访马来西亚新锐导演杨毅恒

问的问题很仔细，很深奥， 我喜欢。 但是也必须用一点时间思考了才能好好的回答他们。

跟你们分享该文章的摘录。

Rest in peace, Bryan Chiel

I was writing the screenplay for my new short film when my sister suddenly messaged me on Facebook Chat.

"Do you remember Bryan? Aunt Amy's son?" She asked.

I instantly had a bad feeling, and hoped silently that the conversation wouldn't be going to a direction that I didn't want it to go.

Ashita no Joe baby

As you can see from the post filled with photos of kimono-glad young women, I was at the Meiji Shrine for the Seijin no Hi (Coming-Of-Age Day).

While I was at the shrine, I saw a baby sleeping in his stroller.

Girl drinks milk, lots of feathers appear

Yesterday afternoon, Kong filmed the conclusion of his 3-scene short film (that started with Girl In Shower Meets Slasher and Men Throwing Stuff at Helpless Hobo Boxer)

Of course, I was there to chronicle it all.