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Thursday, February 23, 2006

To Direct or Produce?

Professional Development in Screen Production is an interesting unit for third year film/media students who really want to get into the business. Therefore, one has to choose between different modules that can help sharpen their craft: cinematography, directing, producing, sound editing, editing etc.

Wednesday, February 22, 2006

Pitched an idea for a post-apocalyptic sci-fi mockumentary

The Postgraduation Diploma in Media Production course in Murdoch University is a rather strange course, anyone undertaking this course will have to go through a crash course to learn stuff within a year which normal undergraduate film students have to learn in three years. Basically, the first semester will be me, going through classes like Screen Production 1 and 2 SIMULTANEOUSLY (this shouldn't be done if you were an undergraduate), the Screenwriting unit, and a Directing unit, so that I can produce a short film during the second half of the year.

Tuesday, February 21, 2006

Thoughts And Predictions About Hong Kong Film Awards Nominees

Well, being the top-rating site in Technorati that is related to 'Asian Cinema', I guess it is necessary for me to voice out my thoughts and predictions about the upcoming Hong Kong Film Awards 2005, which will be announced on the 8th of April (more than a month after the Oscars).

Watching 'Just Like Heaven' alone, the day after Valentine's Day

Reese Witherspoon in Just Like Heaven
I watched my DVD of 'Just Like Heaven' a day after Valentine's Day, early in the morning, when I had just struggled out of bed, and was desperate to warm my frozen heart with a cheerful romantic comedy (I spent Valentine's Day alone, doing nothing but write a poem for someone who was rather far away), and any long-time readers of this site should know by now, I am a sucker for romantic comedies, and knew pretty well that this is a film that will most likely cheer myself up.

Yet there is one thing I have to say about supernatural romances, with the exception of Ghost (... okay, maybe there's Corpse Bride too), I don't recall any other major human/ghost romances from Hollywood that actually leave a deep impression, much unlike Hong Kong, when during the 80s and early 90s where films from this particular genre were everywhere, and pretty much regarded as classics of their own (Chinese Ghost Story, Happy Ghost, My Wife Is A Ghost, and countless other Hong Kong films which English titles I don't know come into mind. Hell, I even recommended 'My Left Eye Sees Ghost' as one of the perfect HK Valentine's Day films), perhaps it has to do with the fact that in Hong Kong, these supposed romantic comedies which started out wacky and crazy would usually become poignant and bittersweet, where we audiences can't help but lament the fact that regardless of how hard they try, our protagonists will never overcome such a major obstacle of one being actually dead, where the ending is usually never entirely happy, with the ghost heading off for reincarnation, and the hero seeking solace from meeting someone who looked entirely like the ghost (damn I hate cop-out endings like that).

Monday, February 20, 2006

Screenwriting workshop. An idea for a new short film?

And thus, classes have finally started. During the screenwriting workshop, when each person is supposed to develop a screenplay that he or she will be working on throughout the entire semester, I started pondering about the numerous stories and ideas I had in mind that I could try developing so that I can attempt to shoot it during the second half of the year. (I'm currently doing Postgrad Diploma in Media Production, just finished my Degree in Marketing and Literature last year, a weird combination indeed).

Sunday, February 19, 2006

CASANOVA by Lasse Hallström

Heath Ledger and Sienna Miller in Casanova
The role of the title character in Casanova was chosen by Heath Ledger after he did Brokeback Mountain. It was a logical choice, if I were an actor, I would want to be in a much lighthearted and cheerful fare after doing something as depressingly angsty as Brokeback too. The director of this film is Swedish director Lasse Hallstrom, whose better-known films are Chocolat, Cider House Rules and What's Eating Gilbert Grape, so I guess he is quite a serious director (although the aforementioned works do possess certain hints of humour)

Saturday, February 18, 2006

Pondering about my future film projects.

It was a discussion I had with Guestblogger Justin a few days ago, about a personal dilemma, a fear that the flames of creativity that burnt brightly within my soul had completely been extinguished, my ocean of genius had been sucked dry by a vortex of disappointment (that occurred when two consecutive short films I wanted to make had to be shelved, or most likely scrapped, after some cast members were unable to make any commitments).