(I posted this on Facebook in December 9, 2014. I'm going to expand upon it.)
Post by Edmund Yeo.
Last December, it started out as a Hou Hsiao-Hsien marathon. The original intention was to watch films directed by Hou Hsiao-Hsien, but I ended up watching the film which featured his one and only starring role. Edward Yang's TAIPEI STORY (Hou was also the producer).
And because of this, I finally completed every single Edward Yang film in his oeuvre. Unintentionally. Because I didn't want it to end so early.
One of my favourite directors ever. And, in my opinion, one of the greatest. His works had influenced me a lot. I wrote more about my own experiences with the works of Edward Yang in June 29, 2012, marking the 5th anniversary of his death. That was before I watched MAHJONG and the first two films of this career, THAT DAY ON THE BEACH and TAIPEI STORY (I watched both in 2013, on Youtube, because both films are notoriously difficult to find).
The first Edward Yang film I saw was YI YI, that was 2007, shortly after his death. I was mesmerized by his brilliance. YI YI would become my main influence when it came to editing Ming Jin's films telemovie DAYS OF THE TURQUOISE SKY (2007), because its ending, where the protagonist summarized his thoughts on CATCHER IN THE RYE, was a homage to YI YI's ending.
