Spike Lee's Inside Man

Prior to writing this review, my friend Sebastian told me that he had just read about (or heard) an interesting commentary about Inside Man, and that's about every single Spike Lee film sharing a common theme: Power. (My initial guess was racism, or 'white people are bad’, or 'white vs. black'… but then, I was affected by the Talkback section in Ain't It Cool News's film review).

Unfortunately for me, I haven’t actually seen that many Spike Lee films, in fact, He Got Game is the only one I’ve seen (my credibility is immediately destroyed in the eyes of my visitors with this confession), which has Denzel Washington and NBA star Ray Allen in it. But I’ve always been given the impression that Spike Lee films are generally edgy modest-budget productions with one or two big-name cast member attached and take place usually in New York (but then, that's because I haven't seen that many Spike Lee films). I didn’t know a single thing about Inside Man until I saw its poster (and then, the trailer)

Battling The Entire Murdoch Uni Security Force (To Shoot A Scene)

Perhaps you remember me mentioning about wanting to do a short film that takes place entirely in a public toilet two weeks ago. It would've been a masterpiece, shooting would've commenced today, then the craziest shit ever to happen in my brief filmmaking career occured. Being the bad boy filmmaker I am, I had wanted to go on with my project despite not getting the proper permission from the authorities, yet I made a grievous error.

Don Bluth is underrated

It all happened during a conversation I had with Guestblogger Justin when we had dinner just now, about the animator, Don Bluth. Many people have already forgotten about him, all thanks to the evil Disney, and the rise of 3D animation (Pixar's stuff are great, but the Shrek movies are kinda overrated, and we also get such mediocre shit like Robots and A Shark's Tale).

But I remember, during my childhood, Don Bluth's animated masterpieces leave a much deeper impression than Disney films (before they reached the 'second Golden Era' with the likes of Aladdin, Beauty and the Beast and Lion King). And therefore, I will now revisit my fond memories of Don Bluth cartoons, which, all of a sudden, I have a strong desire to find their DVDs.

I combined an Australian student short film with Cowboy Bebop dialogue for mashup video

Well, here's another entry to remind you that I AM a filmmaker. Just a couple of days ago, I mentioned that during my editing assignment, I realized common themes found it the majority of my projects, you can now witness the editing assignment for yourself.

Now Everyone Knows My Fear For Dogs

"My hatred for dogs extend to cartoon characters. I hate Goofy and Pluto because they are so freaking annoying. And I think Snoopy's a pretty condescending son of a bitch, even though he IS literally one. And Scooby Doo, goddamn Scooby Doo and his stupid cry, I can't freaking stand him."

"I hate dogs. I am supposed to be a manly man, but they made me seem unmanly, man. They make me feel exposed and vulnerable."

"When I was a toddler, and I wanted to get out of my house, my nanny told me that if I do thus, I would be eaten by dogs. Well, even if I don't believe that I'll be eaten by dogs now, I feel that they can still bite off my fingers easily."

"Crazy rottweilers. I remember reading the news about how this old woman was beaten to death by some crazy rottweiler many years ago, I never looked at the same way again."

"I always thought that by revealing my fear for dogs to a woman, she will appreciate my soft and sensitive side, and hopefully share this trait of mine as well, so that they would invite me home and that we can then... discuss about our mutual fear. Unfortunately, this had never happened."

My creative works seem to share a common theme...

During the editing assignment, a raw footage from a short film is given to groups of two to edit into a watchable short film. The rushes weren't anything special. It's about this guy who works in the filming equipment room at the Media And Communications School of Murdoch University. It was late at night, someone called Monty phones in to book a camera, the main guy complied. Then, suddenly, a hot babe walks in, flirts with him, seduces him into giving her the last camera. Hot babe leaves happily.

David Cronenberg's A History of Violence

When I was in the cinema, many people snickered and giggled during the two much-talked about sex scenes of A HISTORY OF VIOLENCE, and some wincing and groaning during the second staircase one. I felt that the scenes were pretty over-the-top, but someone in IMDB justified the scenes like this in reply to someone who made a remark similar to mine (and that the sex scenes were entirely unnecessary and slowed down the pacing of the film):