Steven Spielberg's MUNICH is one of his best

Despite my initial ravings of War of the Worlds, in retrospect, it isn't one of Steven Spielberg's finest films (it's one of those rare films reviews of mine that I would want to rewrite if I am allowed to). Yes, it has some stunning set pieces, some decent acting, some chilling scenes, but basically, Spielberg was just recycling his bag of tricks, and despite the fact that I had tried defending the film ending (what happened to the aliens in the end was based on the book anyway), it was still a pretty bad ending (what happened to Tom Cruise's son was NOT based on the book). And after King Kong, I can't help but realize how shallow an experience War of the World was when compared with Peter Jackson's near-masterpiece.

The Fanfiction Debate

In many ways, this is a continuation of Guestblogger Justin's rebuttal against Robin Hobb regarding the merits of fanfiction and Mike Peterson's entry about Copyleft. Although I have retired from fanfiction, and there are many things about fanficdom that annoys me (check out my rant here, here, and here), I don't really condemn the mere action of writing fanfiction, and I think I will be pretty flattered if people do write fanfiction based on my creative works instead of screaming bloody murder like Robin Hobb did. Sure, if people tries to make money via this fanfiction, then it might be some sort of copyright infringement (but you can most probably get away with it if you were Neil Gaimnan), but otherwise, I think it works well from a marketing point of view, and from a creative standpoint.

Anyway, for years, I've been a member of this fantasy writers mailing list (join by sending blank email to fantasy-writers-subscribe@topica.com) and I recently got into this interesting discussion about fanfiction with numerous of its members. Will use different colours so that it'll be easier for y'all to differentiate us.

WALK THE LINE, fine performances by Joaquin Phoenix and Reese Witherspoon

I am rather ignorant to the details of Johnny Cash (and June Carter)'s history, and I don't remember ever listening to any of his songs before (well, I might heard some when my dad was playing it, but I don't think dad was that into Johnny Cash either), thus I can only evaluate the biopic based on whether it could hold the attention of any viewer who does not know anything about its subject. After all, I'm not anal when it comes to judging the factual accuracy of biopics (I can never understand why some people like condemning biopics that much just because they aren't accurate enough, yeah, I'm looking at those who complained about 'A Beautiful Mind' not examining John Nash's homosexual tendencies), it's more about whether it 'works' for me as a film.

Why did I watch Big Momma's House 2?

Do not believe what everyone else said, Big Momma's House 2 is absolutely a necessary sequel. There is a need to see Martin Lawrence going around dressing up like a fat woman again, and then bonding with three children in your typical Hollywood manufactured warmhearted scenes that are similar to the gazillions (pardon me, but what is bigger than gazillion? Bazillion?) of inoffensive family films out there. There is a need to see Big Momma in a bathing suit to understand the true concept of being grossed out (yeah, look at left pic to suffer what I suffered).

Six years have passed since Big Momma's House 1, but I am sure absolutely everyone's hungry for this sequel, since it did make 28 million during its first weekend in the United States despite everyone pretending to complain about it before its release. And hey, I'm sure we are always craving for films about poor misfits teaching seemingly rich but emotionally lacking people what is it like to be a family. Hey, having a somewhat good intentioned family comedy is good for families, right? Good to strengthen family ties. Yeap. Maybe it'll work for kids, or people in their early teens, but if this is a film meant to appeal to the masses, then the crowd it will entertain will most probably be pretty small.

My Recommended Valentine's Day Films Part 3: Hollywood Films

Well, this is the hardest part of my romantic film recommendation series. How can I possibly compile a decent list of Hollywood films when there are so many of them out there?? Hmm. Once again, I'll try to separate them via categories. As for the film reviews, I'm not going to painstakingly put them up, you can do your own search at Roger Ebert's, or head to Rottentomatoes. Click title for info.

Once again, I'm going more for feel-good films than the sad and tragic ones. And I'm also avoiding three hour epics, so nope, I won't be mentioning that little film about that sinking ship (... I'll probably get lynched if I do anyway). I would recommend Brokeback Mountain, but it's too depressing for V.day viewing too.

CAPOTE, Bennett Miller's impressive film debut, Philip Seymour Hoffman's great performance

I felt disturbed when watching the biopic, Capote. Maybe it had to do with how much Truman Capote reminded me of, well, myself. Except the gay and effeminate part. Both of us are ambitious, egoistic, manipulative, charismatic, persuasive... well, the fact that I’m drawing comparisons between Truman Capote and myself in a film review should speak volumes about my ego.

Anyway, this is a biopic of Truman Capote, but thankfully, it isn't the type which begins with a childhood event and then ends with a death scene. Nope, this, like many of the recent biopics, focuses only on a pivotal event of the person's life, and in the case of this film: the six years Truman Capote spent to write the groundbreaking non-fiction book 'In Cold Blood' (he used a style which made the whole thing look like a gripping fictional novel instead of some dry report. Check out Wikipedia's entry about New Journalism) that became an international bestseller and made him, according to the film ending, the most popular writer in America.

My Recommended Valentine's Day Films Part 2: Japanese, Korean and Other Asian Films

While compiling the list for part 2 of my recommended Valentine's Day films, which will focus on Korean and Japanese films, I was suddenly struck by a chilling realization that had never occurred to me before. Despite watching quite a number of Japanese films, there just doesn't seem to be an absolute romantic film that really stuck to me. Unlike the Koreans, whose amount of sentimental and melodramatic romantic films are more than enough to flood an entire nation and make everyone die of diabetes, almost every single good Japanese film I can remember isn't exactly pure love stories. Just thrillers, action films, psychodramas, sci-fi tales, horror tales with maybe a bit of subtle romance tossed in as a subplot.

I wonder why. Maybe it's because the Japanese are somewhat more cynical than the Koreans, hence they don't really make all those fullblown romantic melodrama the Koreans are so famous for? But then, to be fair, the Japanese television dramas are entirely a different story, I can remember most of the finer classic J-doramas I've watched over the years that are great romances, mostly those Takuya Kimura stuff. One something light-hearted and sweet? Go for Love Generation (simple love story between two yuppies) or Long Vacation (simple love story between a pianist and a girl who moved into his place). One something that will make you weep? Go for Beautiful Life (simple love story between a hairdresser and a dying librarian).

But this is a list of films, not television, and it won't be a long list like the previous one since it IS very difficult to come up with GOOD Japanese romance films (as I haven't exactly been exposed to that many of them) and I don't intend to let an entire list flooded by only Korean films. Once again, I'm aiming more for happier films, or at least, bittersweet ones, not the depressingly sad ones. But I'll be separating them via categories.