FEARLESS, Jet Li's Last Martial Arts Film?

Visiting the cinemas thrice in five days can be quite mindnumbing, but nevertheless, it is the Chinese New Year period, thus it is a little tradition of mine to see every single Chinese movie that's showing at the cinemas.

Fearless is widely-publicized as Jet Li's very last martial arts film and is a highly-fictionalized account of Huo Yuan Jia, founder of Jing Wu Men, a martial arts school in Shanghao, and a semi-prequel of sorts for Bruce Lee's film, Fist of Fury, and its 1994 remake, Fist of Legend (a Jet Li film!). (Huo Yuan Jia is the master of the films' protagonist, Chen Zhen, played by Bruce Lee and Jet Li)

There are a couple of reasons why this is the most looked-forward Chinese New Year blockbuster:

My Kung Fu Sweetheart 野蛮密笈

There are times when I want to become Malaysia's Wong Jing. I know this is a startling revelation for you all, that I would choose to be Wong Jing, instead of, say, Wong Kar Wai, or Ingmar Bergman, or Truffaut, or Godard, or Fellini, or even Tarantino, but the fact is, judging by the current indie film scene, Malaysia needs a Wong Jing-type guy.

His productivity is just simply prodigious (he made 5-6 films in a year, I struggled to finish one short film in a year), and the way he capitalizes and exploits the current popular trend in Hong Kong to rake in some cheap bucks clearly shows that he's a damned good businessman.

Stunning Photos of Waterfall, Rude Babies and Cute Puppies That Will Make You Cry

Yeah, I still have quite a number of photos taken during my trip in China that I haven't posted yet. The reason being that I wanted to finish making the videos of the trip (yes, it's still ongoing) before showing y'all this, but I guess it doesn't really matter. (If you want to view the earlier videos of my trip, check out my vlog section.)

Just click the photos for the large versions and their descriptions. They are all arranged in chronological order, taken at Wuyishan, China. The rest (from Shanghai) will come later.

Fun With Dick and Jane (I miss the serious Jim Carrey)

Maybe it had to do with Eternal Sunshine of the Spotless Mind, or maybe it happened even earlier, maybe it happened with Truman Show, or maybe it had to do with this long-kept secret of mine, that I actually ENJOYED the sentimental schmaltz The Majestic (I'm a sucker for courtroom scenes and all those generic BIG speeches).

But somehow, I just seem to enjoy Jim Carrey in a drama more than in a comedy these days. Despite being his personal top-grossing movie, I wasn't that impressed with Bruce Almighty (it was kinda good, but not THAT good). And despite the great-looking settings, Series of Unfortunate Events left me rather underwhelmed (and it didn't really strike me as a Jim Carrey film). Perhaps I am more impressed with his dramatic acting skills than his talent for humour, and that I am just as disgusted with the Academy for never giving him an Oscar nomination for either Truman Show or Eternal Sunshine of the Spotless Mind. But I'll get back to that later.

Good Night, And Good Luck

I believe one has to do some research on American history to really appreciate 'Good Night, And Good Luck', George Clooney's sophomore directorial effort, more as it is about an important political case that affected the entire nation back then. (Click here for the Wikipedia entry about McCarthyism, and here for the entry about Joseph McCarthy). I actually did some readings about this a couple of months ago when I learnt about the existence of this film and its subject matter, and well, to me, it was rather interesting.

A brief summary about McCarthyism:

C. L. Hor's The 3rd Generation is a Malaysian film masterpiece.

[Disclaimer: This entire post was written with a lot of sarcasm.]

It happened more than a week ago, when I chanced upon Jesscet's entry (I believe she's a writer for KL Lifestyle and possibly a journalist for Malay Mail) about the Malaysian production, 'The Third Generation' where she mentioned that the film being billed as the very first 'Cantonese art film in Malaysia'.

Never much of a fan of anyone who labels non-mainstream films as 'art films, I left a comment showing my curiosity.

"First Cantonese art film in Malaysia? Really? What about those stuff by James Lee? I just feel that the term 'art film' is highly subjective. Usually used to describe aethestically-pleasing (that's rather debatable) non-mainstream films ala Wong Kar Wai's works, or in America, non-mainstream films that are shown in arthouse cinemas (instead of those cineplexes), knowing that 'art' films are generally non-profitable, I find it strange that the filmmakers of 'The Third Generation' would label their own film as an 'art' film. Let alone, the first ever in Malaysia."

(Note: I mentioned James Lee because his 'Beautiful Washing Machine' was mostly in Cantonese, whilst both Ho Yuhang and Tan Chui Mui's works were in Mandarin)

Some Dystopian Tale Part 3: Heroic Xiaxue Slayers

This is a Paul Di Filippo-inspired fictional (satirical?) dystopic, sorta sci-fi/fantasy tale that is serialized on this blog every week.

Part 1: The Political Activist And His Murderous Little Birds is here.
Part 2: Bloggers Who Do Lots of Cutting And Pasting is here.

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Jeff Ooi
Liewcf
Kahsoon

I wrote their names on a piece of paper, taking note of the once-mighty Malaysian bloggers I've met in Kuala Lumpur thus far, and then struck them off, a reminder that I won't interview them for a future documentary, considering their rather unstable emotional state.

Petaling Street was near, the omnipresent stalls, the pirated dvd and vcd vendors, reduced to half of their original number since the death of the Internet, yet the rumbling and buzzing of noises remained, people screaming the prices of their wares, and potential buyers haggling with them. Rumours have said that many bloggers have chosen to stay here, Petaling Street, the place, the chinatown in Kuala Lumpur, being treated as a replacement of the former blog aggregrator, Project Petaling Street. Oh the irony.