Sylvia Chang, Wilson Chen Bolin and Lin Zaizai (again) at the Taiwan Cinema Party in Tokyo Film Fest 2010

Been quite behind with my updates because I've been so busy at the Tokyo Film Festival in the past few days. Both screenings of INHALATION + THE TIGER FACTORY had ended, so is the TPG (Tokyo Project Gathering) at TIFFCOM, so I have a bit more time now. (still have to head there later this afternoon to be interviewed)

On the 24th of June, the Taiwanese folks had a Taiwan Cinema Party in the Tokyo Film Fest.

Vivian Hsu, Yoshino Kimura and the Tokyo International Film Fest 2010 Green Carpet Event

Yesterday was the opening of the Tokyo International Film Festival 2010.

My recent Pusan Film Fest-winning short film INHALATION (which Ming Jin produced) and Ming Jin's THE TIGER FACTORY (which I produced) are screening under the WINDS OF ASIA section.

Before the green carpet event, we took photos with Vivian Hsu.





I told her that I saw the short film, JULIET'S CHOICE, which she starred in at the Pusan International Film Festival (it was also under the Asian Short Film Competition). JULIET'S CHOICE was initially conceived as part of an omnibus called Juliets, and Juliets is also screening at the Tokyo International Film Fest.

We walked down the green carpet. The TRON 2 folks were in front of us.

She is from 2004.

I had a strange dream.

PIFF2010 Recap: Receiving the Sonje Award (Best Asian Short Film) at the closing ceremony

15th of October, my last day in Pusan. A press conference was held in the morning to announce the award results.

QUICK RECAP OF PUSAN INTERNATIONAL FILM FESTIVAL 2010 part 2

Decided to break my recap up into two parts so it won't be too long.

Quick recap of Pusan International Film Festival 2010

Saw the video of Juliet Binoche dancing in Pusan? Anyway, I'm going to properly do a quick recap of my Pusan International Film Fest 2010 experience.

Dancing with Juliet Binoche

Yeah, it's not everyday that you get to share the same dance floor with an Oscar-winning actress.

But there I was, last night, at the Wide Angle party in Pusan International Film Fest. Just after the screening of INHALATION.

You'll spot Juliet Binoche, and my sista Kkobbi Kim (from "Breathless", who is probably the poster girl of this year's Pusan Film Fest cos she's in THREE films: MAGIC AND LOSS, ASHAMED and an anime), and also festival director Kim Dong Ho. This festival is Kim Dong Ho's swansong (he had been in charge for 15 years, since its founding).

Oh, Abbas Kiarostami appeared at the 0:34 mark too.

Post by Edmund Yeo.

Hamburg snapshots

Before I launch into my barrage of photos from the Pusan Film Fest, I'm going to post up some photos I took in Hamburg during my time there on 1st-5th Oct.

My Graduation Day

20th of September was my graduation day. My parents were here.

Rest in peace, Zeg Zeg.

As I've mentioned in my previous post, my uncle, passed away early in the morning yesterday of cardiac arrest. He was 56.

A death in the family

I wanted to post photos of my graduation day on the 20th, or photos of me and mom hanging out at Kamakura on Mid-Autumn Festival two days ago, unfortunately I have to post about this instead.

This morning I received a call from mom. My uncle, dad's youngest brother, had just passed away a few hours before dawn. Cardiac arrest. He was 56. My parents are flying back to Malaysia tomorrow, a day earlier than planned. More about this later.

Babes of Tokyo Game Show 2010

Dear readers, do not be deceived by the title of this blog post. I am definitely NOT encouraging the objectifying of beautiful booth women at the this year's edition of Tokyo Game Show. Like my 'Babes of Tokyo Game Show 2008' post from two years ago, I am now getting up my high horse to voice my personal conflicted feelings towards the beautiful booth women of the Tokyo Game Show.

Trailer of INHALATION

Edited this together two nights ago. The music you here in the trailer is the main theme of the short film and is composed by my now-frequent collaborator Wong Woan Foong. Cello performed by Mark Shuping.


video page

KINGYO cinematographer Josha shot the new SPEED music video, Yubiwa

Now, finally, something not about the screenings of my film.

A few years ago I mentioned my teenage love for the Japanese pop group SPEED.




They started in 1996, then disbanded in 2000. I was crushed. In 2008, they came back again, I was skeptical. Yet the intensity of my love for SPEED, especially lead vocalist Hiroko Shimabukuro (the tall one), was so intense that I composed silly haiku for her.

Catch KINGYO and a sneak peek of INHALATION at Malaysian Shorts, 20th Sept

UPDATED: This is my short film Kingyo, in its entirety

A while ago, Allan Koay the journalist once asked whether I noticed that my short films looked alike.

I disagree.

Aside from having scenes of brooding young women.



Luchino Fujisaki in KINGYO


Susan Lee in INHALATION


And regularly centering around two protagonists walking around somewhere at night, chit-chatting, and reopening old wounds etc etc.





I think each and every single one of my shorts look different!

First minute of LOVE SUICIDES at FILMINUTE 2010

(After such a long period of inactivity, I am now bombarding this blog with festival announcements, eek.)

This actually started at the beginning of September, but I didn't mention it due to some, er, distractions.

Anyway. a one-minute incarnation (or rather, the first scene) of my older short film, LOVE SUICIDES (2009), was one of the 25 finalists selected for FILMINUTE 2010, an international one-minute short film festival. I was a little surprised when I was informed last month by the people at the festival that the first scene of LOVE SUICIDES seemed like a 1-min film by itself!

So yeah, after that I decided to extract the scene and sent them as LOVE SUICIDES: PROLOGUE.

Watch it here on the Filminute website. (considering that it's only a minute long, I really don't that it'll waste that much of your time. Hah)

INHALATION also playing at Vancouver and Tokyo International Film Festivals (with THE TIGER FACTORY)

I mentioned in my previous post that my latest short, INHALATION, is finally making its premiere in competition at the Pusan International Film Festival on the 8th of October.

Actually on the same day (but slightly later, due to timezones), INHALATION will also be opening before THE TIGER FACTORY at the Vancouver International Film Festival. And later in the month of October, INHALATION will also be playing before THE TIGER FACTORY at the Tokyo International Film Festival.

INHALATION on Vancouver International Film Festival site

THE TIGER FACTORY on Vancouver International Film Festival site

I liked the INHALATION synopsis given on the VIFF website.

An alternate version of The Tiger Factory’s narrative, compressed, stretched, and flipped, by its writer/producer.

INHALATION premiering in competition at Pusan International Film Festival

It's not everyday that you get to plug your own SHORT FILM (!!) at the Cannes Film Festival. But I did just that with INHALATION, back in May, during the press conference of THE TIGER FACTORY, when I was asked about it by Jeremy Segay the moderator and programmer.

Review of THE WHITE FLOWER at J-FIlm Pow-Wow

Marc Saint-Cyr had posted a review of THE WHITE FLOWER at J-Film Pow-Wow. Here's an excerpt:

Suitably, the still photography used throughout “The White Flower” is incredibly beautiful, possessing much richness, crisp clarity and great attention to framing and lighting in every shot. In fact, viewers are likely to be doubly grateful for the slideshow-like manner in which the shots progress, as it allows them to better savor each image while seeming to magnify and expand each of the contemplative, intimate moments that comprise the film’s episodic structure.

Read the full review!

THE WHITE FLOWER was recently screened at the InDPanda International Short Film Festival in Hong Kong.

THE WHITE FLOWER screening at InDPanda International Short Film Festival

me pointing at the WHITE FLOWER still


Leaving from Hong Kong to Guangzhou the day after the world premiere of THE WHITE FLOWER left me Twitter-less, Facebook-less, Youtube-less and Blogger-less, hence the lack of updates.

So, back to the screening of THE WHITE FLOWER. On the night of the 26th, I finally got to screen my experimental THE WHITE FLOWER to the public at the Broadway Cinematheque.

Avenue of Stars in Hong Kong

After hearing so much about the Avenue of Stars (it's modeled on the Hollywood Walk of Fame), I decided to pay a visit yesterday. I was greeted by the huge replica of the Hong Kong Film Awards statuette.

I was Crossing Hennessy in Hong Kong

Arrived at Hong Kong two days ago, staying at an interesting hotel at Wan Chai called MINGLE BY THE PARK. Here's dad.

Visiting a horror film set.

I arrived in Hong Kong yesterday afternoon (it's 2am when I'm writing this), the night before, Lesly the Cinematographer and Moon Lai the actress of THE TIGER FACTORY and NOW (the 1-min epic I shot last week) went to visit a horror film set.

Trailer of THE WHITE FLOWER

This was actually posted on Twitch a while ago (my friends at Toronto J-Film Pow Wow covered it too), but I've been so busy with my own shoots back in Malaysia that I didn't get around to sharing it with you guys.

My experimental short, THE WHITE FLOWER, which I shot last year, is finally making its world premiere at the Hong Kong InDpanda Short Film Festival next week. To commemorate this, I cut together a trailer for the short.

It's an experimental film based on Yasunari Kawabata's short story of the same title, constructed mostly with still photos like Chris Marker's LA JETEE. It's my third Kawabata adaptation after LOVE SUICIDES and KINGYO.

Here's a synopsis.

A young Chinese woman living in Tokyo is haunted by remnants of a forbidden relationship and a dark family past. She ends up in a sanitarium and meets a doctor conflicted between his job and his personal feelings. After being discharged, she meets a wandering Thai filmmaker contemplating the relationship between art and love. Her encounters with them lead to unexpected revelations.

THE WHITE FLOWER is written, directed and edited by me. Produced by Maiko Itagaki. Cinematographer by Niklas Kullstrom (who just got married, congratulations, dude).

Starring Zhu Dan, Toru Inamura and Kong Pahurak (who also took the photo above).

Information of the film from the InDpanda website can be viewed here

Film shoot for a one-minute epic. Day 2

6 days have passed since I wrapped the shoot of my one-minute epic, titled 'NOW'. Spent two days editing it. It was a tough slog, so many materials I've shot, yet I had to toss most of them away to fit into the 1 minute length. Nonetheless, it was worth the challenge.

Film shoot for a one-minute epic. Day 1

I was shooting my 1-minute epic last night.



Yes, you read that right. I was making an epic short film that is 1-minute in length. It's not the easiest thing to do, hence the pained expression etched upon my movie star-like face.

Malaysia fattens me.

I've been back in Malaysia for nearly a week. Had been putting together a video shoot for the weekend, pondering the screenplay for my feature-length script, watching movies at home (watched HOW TO TRAIN YOUR DRAGON, the new KARATE KID, Fellini's LA DOLCE VITA and Herzog's THE WILD BLUE YONDER) and the cinema (well, I just got back from watching DESPICABLE ME)... and er, eating a lot of nice stuff.

I don't really 'miss' Malaysian food when I'm in Tokyo. There are Malaysian restaurants in Tokyo, but I'm happy enough with my usual bentos and ramen (... or McDonald's).

But now that I'm back here, I make the most out of enjoying the food here.

Ah. Catharsis.

On the 3rd of August, I finally put the finishing touch on the music + video installation project I mentioned earlier.

Tao Sha, the actress I used earlier, returned for a quick voice recording session. She was to recite a poem by Phyllis Lin Hui Yin.




The past two months went by in a blur, I can't even actually remember what had happened since I came back from Brest and Brignogan. A few days of being sick, then dealing with the Masters' Thesis presentation, and finally, quickly putting together a few projects to shake off my rust and ennui (that derived from the lack of filmmaking and creative endeavours).

2nd Screening of KINGYO at SKIP CITY INTERNATIONAL D-CINEMA FILM FESTIVAL

31st of July, Saturday, was the 2nd screening of KINGYO at the Skip City International D-Cinema Film Fest.

When I reached Skip City, there was some baton twirling action going on.

My new video art project = Poems of Phyllis Lin Huiyin + Andy Warhol's Screen Test

A few weeks ago I was contacted by Huey Ching, also a Malaysian in Japan (and a composer), proposing a collaboration. An experimental festival for live performances and all sorts of music project's coming up soon in Tokyo, she intended to merge her own music performance with videos.

The first KINGYO screening at SKIP CITY INTERNATIONAL D-CINEMA FESTIVAL 2010

27th of July, two days ago, the first screening of KINGYO was held as part of the short film competition program in the Skip City International D-Cinema Festival 2010.

I was surprised by the amount of audiences, being a Tuesday morning and all. Mine was the last one to play, so I got to watch the other three short films, which were all really diverse in tone and genres: A fantasy black comedy, a cyberpunk samurai actioner, and a coming-of-age tale. Left the hall when KINGYO started playing, so not entirely sure of its reception.

The filmmakers and cast members were all invited onto the stage after the screening to introduce themselves and what they wanted to say about their films.

Q and A session after the LOVE SUICIDES screening at Fuji TV, Odaiba

On Sunday (25th of July, just a day after the opening of the Skip City Film Fest mentioned in my previous post), I headed off to the Fuji TV headquarters in Odaiba for a screening of LOVE SUICIDES. It was part of the SF7 program. SF stands for 'Student Films', seven universities participated, hence the '7'.

The opening of Skip City International D-Cinema Festival 2010

Went to the opening ceremony of Skip City International D-Cinema Festival 2010. My short film, KINGYO, is in competition. 10 shorts were in competition, it's supposed to be a domestic competition for Japanese shorts only, KINGYO was a Japanese short, but its director ain't a Japanese, so that makes me the token foreigner among the nominees, awesome!

I was actually late, missed all of the opening speeches from the ceremony, but I arrived just in time to be introduced on-stage. When I walked into the place, the conversation between me and the staffer was like that:

Kazue Fukiishi 吹石一恵 at the Gegege No Nyobo 『ゲゲゲの女房』 world premiere

Nine years ago, when I was just finishing high school, I went to Japan for a family trip. I remember being in a hotel that was known for the hot springs, but what I remember most then was the lobby, where a public service announcement poster of actress/ model Kazue Fukiishi from the fire department was pinned onto the wall.

I vaguely recognized her name (few years earlier I had seen her debut feature in the TOKIMEKI MEMORIAL, a film adapted from a dating simulation... er, yeah), but I was mostly mesmerized by her beauty. That large luminous eyes peering deep into my soul, telling me to be careful not to play with fire, the slight playful smile on her face hinted that she knew secrets of me and would be a willing co-conspirator.

Returning to my room, images of her lingered, and the question that haunted my mind then was... "what if I cannot see this poster again? What if, for the rest of my life, this poster would just be a fleeting image that would just fade off in my mind, along with her name?"

3PM, a short film exercise

3PM is an exercise from the cinematography class I was taking last year. I remember finishing it around the end of June. Then summer came, and I was mired into some sort of depression, which is what I am pretty much going through now. (Quite odd, it's as if I'm stuck in a time loop like the protagonist of the film.)

I digress.

Anyway, all my rushes (raw footages) of this film had been destroyed when my hard disk died last year (just a few weeks after the film was done), making this a 'lost work' of mine. And I wouldn't exactly classify this as part of my oeuvre since it's really just a class project of sorts.

The film only existed in the form of some DVDs that I managed to burn for myself. There are some works that I've done which I would rather it doesn't see the light of the day, but I had a lot of fun shooting 3PM, with the help of a nice cast and crew. And I wouldn't want the film to disappear just like that, so I might as well upload it online for fun.

I have suffered so long for nothing.

It was getting increasingly hard to sleep recently, especially in the past few weeks. I could never understand why.

I Wonder What Human Flesh Tastes Like by Justin Isis

My friend, author Quentin S Crisp, has an important announcement to make.

Dear Readers,

My name is Quentin, but please call me Quentin S. Crisp. I have had the privilege of being interviewed on this blog in the past, and now I would like to address you directly. For some time I have been in correspondence and creative collaboration with Justin Isis, guest writer on this blog. A significant overlap in our aesthetic concerns led us to found the dadaoist blogzine, Chômu. Catching the westering rays of that dying blog (which will perhaps rise again), and taking its name therefrom, a new celestial body has appeared in the publishing firmament: Chômu Press.

Mitama Matsuri at Yasukuni Shrine 2010

Yesterday, I noticed an increase of traffic for last year's blog post about the Mitama Matsuri (or Mitama Festival) at the Yasukuni Shrine. I checked the date and realized that it's exactly been a year (plus a day) since I went to the festival. Last year I went with two of my friends, Zifeng and Yang Yang, it was a fun experience. We went there in the evening, and left after sunset.

It took me a while to decide whether I wanted to go again or not, with a newer camera, I could take much better photos than last year's. Too bad I would be going alone, but then, it's always been the case anyway.

This time, I arrived at the shrine at around 7:30pm. It was already night.

Cannes leftovers

My old laptop died last month and I ended up being forced to get a new one. Well, it was about time anyway, the laptop had been with me for more than 3 years, a usual life span for laptops?

I just opened its hard disk and hooked it up to my new comp just now because I needed to extract some information needed for tomorrow's final Masters' Thesis presentation. Then I saw some of the photos from my last day in Cannes which I have yet to upload on Flickr, and also an earlier video, so here you go.

This video was taken on May 18th, when Professor Ando was bringing us to this nice place for dinner.

Last days in Brignogan

25th of June. Everyone were leaving Brignogan. Before that they were waiting at the hotel lobby, it was the only place where the Wi-Fi signal was decent.




By evening, almost everyone was gone.

I made my way through the beach...

Sumptuous feast and fun party during last day of Brignogan workshop

24th of June, last day of the workshop in Brignogan. After the session ended, I was interviewed by a local paper! (Orsi of Hungary, served as translator)

Trip day in Brignogan

The script workshop sessions in Brignogan were usually held outdoors. How could it be otherwise? The scenery was great, we get to look at the clear blue sea.





And here's my teammate Anita of Bratislava, Slovakia, enjoying herself.

Sunrise and sunset, Brignogan-Plages, France

Ah, it's good to be operating in full strength again. After my grievous bout of nosebleed, and the upset tummy that lasted for a couple of days. Every time when I was on the verge of recovering, I would eat something... unhealthy, prolonging the pain, so during the weekend I decided to cut down my meals. It was pretty horrible.

Brignogan-Plages, or simply Brignogan, was where I had my scriptwriting workshops. After spending two days in Brest, a car picked me and a few others up at the train station and took us to Brignogan, a village 30 km away.

It didn't take too long.

Nosebleed

Still suffering from jet lag, I found it difficult to sleep last night. I stayed up the whole night, watching both the Japan - Paraguay match, and the last half hour of the Spain - Portugal match. Stomach felt queasy, another bout of food poisoning-like symptoms were creeping over me, though back then I was unable to pinpoint the actual source of my discomfort, and believed I might be having trouble adjusting to my bed again. (I disregarded the fact that I slept pretty comfortably through the afternoon after I got back from the airport, I thought I was merely too exhausted then to notice the discomfort)

I dozed off finally at 9am and woke up less than 2 hours later, feeling a familiar sensation in my nose. Blood again, was pouring out of my right nostril, profusely. I said 'again', because obviously I am used to this occurrence.

Brest, France. A travelogue of sorts.

Ask me what I thought of Brest, two days earlier, when I was stuck there after missing my flight, I would have launch into an expletive-filled tirade. But now that I've reached Tokyo, and slept through the afternoon, I look at Brest, not with nostalgia, but with acceptance that the place played a rather big role in my latest trip.

My workshop was mostly in Brignogan, which is 30-45 mins away from Brest, by car. But due to circumstances I had never expected, I actually realized I have spent three and a half nights in Brest, compared to the 6 in Brignogan, I ended up becoming quite familiar with the city center. It's unlikely that I would ever return to Brest, it's not one of those places that I would go to for personal reasons. So acknowledging that fact does make me feel a little fonder of the place.

Anyway, a short chronicle of my days in Brest.

In LIMBO!

That was how I felt when I had to stay in Brest for another day.

The initial plan was simple. After writing my last post, I was supposed to go to the Brest station, catch a train to Paris, enjoy the beautiful countryside scenery during the 4-hour train ride, and then after reaching the Charles De Gaulle, sleep at the airport, and take the plane back to Tokyo.

Alas, things didn't work out, I was shell-shocked when there wasn't a train to be caught, and ended up being forced to reschedule my flight. Thus I ended up in Brest for an extra day. It's a frustrating feeling, when all your mind is prepared to go home, and BOOM! Some unforeseeable crap happened, and I ended up being stuck.

Leaving Brignogan, France

Heya folks, I've been in Brignogan, France, for the past week or so. Brignogan is this nice coastal village 30 mins away from Brest. Been so busy with my scripwriting workshop, so no time to really post anything here. I took many pretty photos too, no time to upload either.

It is now 10:53am, a car is supposed to pick me up at 3:30pm and take me to Brest station, where I will have to take a train to Paris (train ride lasts 3-5 hours). After I reach the Paris Airport, I will still wait for another couple of hours before I fly back to Tokyo (the flight is at 7am, next morning). I expect to, well, sleep in the airport.

I brought two books with me for the trip, David Mitchell's CLOUD ATLAS, and Vladimir Nabokov's THE REAL LIFE OF SEBASTIAN KNIGHT. I was already in the last quarter of CLOUD ATLAS, so I finished the book while I was still in the plane. SEBASTIAN KNIGHT turned out to be a much breezier read than expected, I finished that during my first two days in France, even before the beginning of the workshop!

I ended up having to download some e-books via Scribd, and was reading Nabokov's PALE FIRE, and Haruki Murakami's HARD-BOILED WONDERLAND AND THE END OF THE WORLD. Despite having mixed feelings of Murakami's works (enjoyed NORWEGIAN WOODS, annoyed with WIND-UP BIRD CHRONICLES, liked AFTER DARK, indifferent to most stories in THE ELEPHANT VANISHES), many have actually said that some of my works reminded them of his stories. I would say that it's coincidence, since, for the past two years, I live in the same dormitory that he used to live in, go the same university that he goes in. I like listening to jazz too. 9 years ago, when I was studying for SPM, the final government exams for secondary school in Malaysia, I had Duke Ellington blaring from my CD player. Sometimes, I would also humorously liken my improvisational filmmaking methods to those of a jazz musician.

Anyway, I'm enjoying HARD-BOILED WONDERLAND AND THE END OF THE WORLD, although I would say that overall, I still prefer David Mitchell as a writer (though he's clearly influenced by Murakami). So yup, another day drifting by while I prepare my long trip back to Tokyo.

Cannes Day 9: Moon Lai's Photoshoot

The last day in Cannes was quite uneventful. All the pressure and stress we had leading towards our screening were finally gone. We could finally just enjoy the festival and the place, it's a little unfortunate that our screening took place towards the end of the festival, otherwise we could have had more relaxing days like this.

VIDEO: Talking about my new short, INHALATION at THE TIGER FACTORY press conference at Cannes Film Festival

Had been shutting myself away from the rest of the world working on a new film treatment.

Then, my comp died.

I ended up doing the writing at Saizerya (a Japanese "family restaurant" similar to Denny's) in the past few hours.

Will continue writing that.

But for now, take a look at a video from THE TIGER FACTORY press conference at the Cannes Film Festival on the 21st of May, 2001, just before its official screening. Jeremy Segay moderated the Q and A, those present were Ming Jin (the producer-writer-director), me (the producer-writer-editor) and Moon Lai (or Fooi Mun, the lead actress).

Cannes Day 8: The Tiger Factory day!

Spent the entire last week trying to finish up my Master's Thesis. It's due end of this month, but I had other things to do, so had to get it done earlier. I succeeded.

Now, on with my penultimate post for the Cannes trip.