SCREEN DAILY review of WOMAN ON FIRE LOOKS FOR WATER

By Darcy Paquet.

Broken hearts across multiple generations make for engaging viewing in Malaysian independent film Woman on Fire Looks for Water by Woo Ming-jin. Set in a small fishing village, the work’s striking visuals and subtle dramatic touches carry the mark of a significant talent.

The setting proves to be an effective backdrop for the feelings of longing and regret that make up the main narrative.

Premiering officially in Pusan (after a ‘work in progress’ show at Venice), this is undoubtedly set for further festival exposure, enhancing Woo’s reputation as an up-and-coming Asian auteur. Commercial potential for this low budget work will probably be limited to small deals within Asia, however.

KINGYO screening at Unicus Cinemas, and some THE WHITE FLOWER update

I went to Honjo at Saitama yesterday for a KINGYO screening at the Unicus Cinema (it's a multiplex in a shopping mall called Unicus).

I think it was for the opening event of their inaugural Honjo Kodama Area Film Festival. Both my film, and a Chinese-Japanese co-produced documentary (also from the lab I'm), Shaolin Kungfu, were there. My friends, Yang Yang and Zifeng, were the editors of that film. This is me in Professor Ando's (executive producer of KINGYO) car, heading to the multiplex, with Maiko, Zifeng and Yang Yang.

WOMAN ON FIRE LOOKS FOR WATER official world premiere in Pusan International Film Festival 2009

After the Johnnie To Master Class, I headed back to my hotel room and changed into the new suit I bought in Tokyo just days before I went to Pusan.

Then immediately I went to the multiplex in Centum City where the screening was to be held. I needed to kill some time, so I went to have a look at the Shinsengae Gallery, where numerous beautiful photos of famous Korean actors and actresses were in display.

Attending HK auteur Johnnie To's Master Class In PIFF 2009

Johnnie To has long been one of my heroes. Of course, in truth I grew up watching his films from his studio days, ALL ABOUT AH LONG was one of the most painful films I ever seen as a child, I was traumatized when I saw what Chow Yun-Fat's Ah Long character endured during the climatic motorbike race. Then there was the funny EIGHT HAPPINESS, an ensemble film in the vein of ALL'S WELL ENDS WELL (comedies that revolve around members of a single family), this year's ALL'S WELL ENDS WELL 2009 cemented my realization that they don't make films like them anymore. Then there was also some of Stephen Chow's biggest comedies in the early 90s, like JUSTICE MY FOOT, or the HEROIC TRIO (and its much darker sequel THE EXECUTIONERS) starring Anita Mui, Michelle Yeoh and Maggie Cheung, I miss the vibrant energy of such films.

Then Johnnie To started his Milkyway company in the mid 90s, directing landmark films like THE MISSION, PTU, ELECTION 1 and 2 etc. At the same time, he balanced it with commercial comedy hits with the Andy Lau - Sammi Cheng pairing like NEEDING YOU and LOVE ON A DIET. There are some misfires, of course, but I always marvel at how prolific and versatile he is, something I myself as a filmmaker would hope to emulate.

So when I knew that Johnnie To was giving a master class at the Pusan Film Fest, I signed up without any hesitation and headed straight to the first row.

Opening Night Party at Pusan International Film Festival 2009

Due to limited internet connection at Pusan, I could only check my emails in one of those public computers at the PIFF center. But now that I'm back in Tokyo, I'll start posting photos I took from the festival.

On the 8th of October, Tokyo was hit by typhoon in the morning, classes in university were canceled, some flights were rescheduled, ditto with other public transportation too.

My flight was supposedly at 7pm. I headed out of my place at 2pm. To go to the airport. A Narita express would've reached the place in 80-90 minutes, alas all Narita Express trains were canceled that day, so I could only take a longer (but much cheaper) route there. I won't go into details, but I reached the airport at 6pm. The journey to Narita, often a pain in the ass, was an even bigger pain in the ass.

I was shocked to find out that the plane was scheduled to 6:30pm.

Only half an hour to go?

I rushed to the check-in counter, there was someone else who was going to Pusan too. The counters were all closed, I asked an attendant nearby and she made a call. A sour-faced chick (a rarity in Japan, especially at their workplace) appeared, we proceeded with the check-in.

"Wow, I thought the flight was supposed to be 7pm, not 6:30pm!" I said, trying to make small talk.

What on earth do people do at film festivals? (Cinema Online, 6th of October 2009)

I'm flying off to Pusan this evening for the Pusan Film Festival. Tomorrow I'll be attending the premiere of WOMAN ON FIRE LOOKS FOR WATER, the film I produced and edited. This is an interview I did with Zee of Cinema Online during my last day at the Venice Film Festival.

Girl group Citrus Kiss performing at Shinjuku

As you all know, I have a certain fascination for street performers, especially in Japan. I like the fact that people perform here free from the silly notion that they were 'begging for money'.

On Sunday, as I was heading to the Uniqlo at the Shinjuku Pepe building, I saw a performance that someone who was with me at the time remarked "belonged to Akihabara" due to the cosplay. Nonetheless, I don't see bands like this much in Shinjuku, so I had to film it.

Meeting Singer Loo Yise at Klang Creative Fest 2009

Two months ago, I have mentioned briefly that I was attending the Klang Creative Fest, which was showing a couple of my short films. Despite taking a couple of videos and photos, I was unable to share them much because of the horrible internet connection at home in Malaysia. Nonetheless, I did mention about the genius kids there who made me feel puny.

During my short film screening sessions, the Malaysian singer Loo Yise was around to watch the first two films, CHICKEN RICE MYSTERY and (my rarely seen experimental video) FLEETING IMAGES. My schoolmate, multitalented singer-songwriter Jasemaine Gan was there too. Alas both had to leave early to prepare for their performances.

Tsukiji's fresh sushi and nocturnal trip to Odaiba

Yesterday (October 3) was the Mid-Autumn Festival, also known as the Mooncake Festival. It was also friend, Yuan Yue's birthday. (also known as Lune, back in 2005 we had a sublime artistic collaboration where she would draw illustrations and I would write stories based on them, it ended up as a novella written in 24 hours, you can still check it out here. By the way, it was also occasional ex-guestblogger Justin's birthday). She had been visiting Japan since the 22nd of September (we came to Tokyo on the same flight, through a serendipitous stroke of coincidence).

She wanted to try out the fresh sushi at the Tsukiji Fish Market, so we went in the morning. (But when I said morning, I meant the relatively-late 10:30am, not the 5-6ish am when they hold the fish auctions, we only wanted to eat fish, not buy them)

As we walked past shops after shops, we found it hard to pick one to eat. Until we saw a crowd gathering in front of one, and an old man having a public demonstration of cutting up tuna outside his shop, Sushisen.

How KINGYO actress Luchino Fujisaki took Venice Film Fest by storm

UPDATED 13th Nov, 2016: This is my short film Kingyo, in its entirety

---

Despite enduring some of the worst crises in recent memory (the untimely demises of two hard disks in mere weeks, losing some raw data of my short films, even the new, unreleased ones like AFTERNOON RIVER), I have SURVIVED (re-edited AFTERNOON RIVER from scratch, now in the midst of completing my newest, EVENING SKY). So of course I'm in a better mood, though I'm still disconnected from the rest of the world to get my things done.

I will now continue my recount of the Venice Film Festival.

The KINGYO screening at the Venice Film Festival

Lots of distractions had occurred in the past two days. My hard disk died suddenly, and I lost a couple of short films I made since KINGYO (as in, AFTERNOON RIVER, 3PM, and bits and pieces of EVENING SKY that I've just edited). Since my backup had already died couple of weeks earlier, I've pretty much lost two hard disks in a space of two weeks. Can't exactly say that I'm in the best of moods, but I will be hiding at home re-editing AFTERNOON RIVER (with its DVD as reference), familiarizing myself with Adobe Premiere Pro again. I wanted to weep but my eyes had gone too dry.

So I'll recount the KINGYO screening at the Venice Film Festival back on the 7th of September. Wow, has it been 18 days already?

My newest short film EVENING SKY is a pseudo-sequel of SLOVAK SLING and AFTERNOON RIVER

It all started as a joke. I was on MSN talking to my regular cinematographer Lesly (he shot all my Malaysian short films like CHICKEN RICE MYSTERY, LOVE SUICIDES and the still-unreleased AFTERNOON RIVER) just days before I flew off to the Venice Film Festival. We were discussing the possibilities of shooting another short film after Venice, and before I return to Tokyo (on the 22nd of September, I came back to Tokyo yesterday).

I thought it would be difficult, since, after Venice, I would have to rush off to the Singapore Short Film Festival, and after I return from Singapore on the 20th of September, I would only have ONE DAY before flying off to Tokyo again.

Lesly said that one day's doable, considering that AFTERNOON RIVER was made under similar circumstances (shot that on the 11th of April, also one day before returning to Tokyo).

So I was like "sure, we can make an AFTERNOON RIVER sequel or something, or a spin-off, like following the point of view of the guy who kept on calling Grace in AFTERNOON RIVER." (in AFTERNOON RIVER, the character played by Grace was constantly ignoring phone calls from an unknown caller, until she finally answers it towards the end of the film and utters the only line of the film). And since I don't like to repeat my tricks, while KINGYO is entirely in split screens, I will go for 'DUAL SCREEN' with this! Use two TVs or screens to play AFTERNOON RIVER and the companion piece side by side and the events will actually synchronize with one another!!!"

My experimental video FLEETING IMAGES premieres simultaneously at Singapore Short Film Festival and CON-CAN Movie Festival

I never really expected this to happen, but the experimental video I assembled last year, FLEETING IMAGES, is finally making its international premiere simultaneously at two film festivals on the 18th of September. One is the 5th Singapore Short Film Festival (where it's selected for competition), the other is the Tokyo-based online film festival, CON-CAN Movie Festival.

LOVE SUICIDES competing at the Split International Film Festival... today

There are actually five different film festivals playing my short films this month, now that Venice Film Fest is over, there are still four more.

At this very moment, my short, LOVE SUICIDES, is supposed to be playing at the Split International Film Festival in Croatia, where it was selected for competition. Hopefully the screening will go on smoothly.

Suddenly felt that I should have gone straight to Croatia from Venice to attend this festival. Never thought of it earlier. However, I will be going to the Singapore Short Film Fest over the weekend. Would be nice to see some old friends again. Or hearing the voices of old friends telling me they're too busy to meet me.

Venetian waters

Actually, I didn't take that many photos of Venice compared to the others in my group. I was too, ah, busy. Nonetheless, I have taken some videos, and for this post, I will share with you photos and videos of the Venetian waters. Frankly, unlike my team, I never really had the time to explore Venice much as I was in the festival most of the time, doing interviews with the Japanese press. The film festival is held on the Lido, which is a separate island.

I relished the small moments when I got to see some parts of Venice, parts of something so much bigger. When I return again, I will definitely explore more.

But I'll start with a photo of the Paris-Charles de Gaulle Airport, which we stopped by on our way to Venice.

ANG LEE!!!!!!!

Just reached Tokyo. Only staying for a night. Flying back to Malaysia tomorrow morning. Next stop, Singapore Short Film Festival, where my little-seen experimental video FLEETING IMAGES is competing.

11th of September. Didn't go anywhere during my last day at the Venice Film Festival. Wanted to explore Venice with the rest of the KINGYO team, but there were screenings to go to, things to settle, people to talk to, so I ended up staying in the festival instead.

The last film screening I went to was THE HOLE, because it's not everyday you get to see a 3D film in a film festival, let alone the Venice Film Festival. I won't comment much on the film itself, but before the film started, I was already excited because I spotted Ang Lee.

Venice Premiere (The Star, 9th of September 2009)

Internet access is limited (I only get it at the film festival place, not my hotel), so haven't been giving people as many updates as I wanted.

One more hour before the second KINGYO screening in Venice. My two actresses, Luchino Fujisaki and Amane Kudo had just arrived last night, so they'll be present for today's screening. Hope the reception will be as warm as the one I got two nights ago.

I'm on THE STAR today as well, in an article written by Allan Koay. I like the photo of myself because I didn't look fat. (it helped that it was a self-portrait)

Arriving at the Venice Film Festival

Yup, I'm in Venice now. Screening of Kingyo is only 5 hours away. I'm a little excited.

Took a lot of videos yesterday, but alas, not that many photos. Will post videos when I return to Tokyo.

Here are some photos of me, Maiko the Producer and Rinto the Technical Producer / Postproduction Technician in the water taxi from the airport to Venice's Lido, where the film festival is held.

Off to Venice! Here's a cute baby!

I'm heading off to the airport this evening. It's a 7pm flight, but I'll be busy packing and buying stuff I need, so doubt I'll be updating the blog until I reach Venice.

Here's a cute baby girl I met last Saturday, she seemed to be a major computer fan when I was in a restaurant, and I noticed her peering over my shoulder at the Macbook i was borrowing from Sebastian to do some video editing. Of course, like any normal manly men, seeing such a cute baby immediately made me squeal "eeeeeee, soooo cute!", so I took out my camera and snapped photos of her. I would like to thank the baby's dad for asking her to smile for the photo shoot.

Sneak preview: kingyo's opening scenes

One more day before I head off to Venice. Here's a sneak preview of the opening scenes from my short film, KINGYO.

Food Porn at BE. SWEET ON.

Yes, it's National Day. Merdeka. Merdeka. But I'll talk about that later.

For now I would like to talk about this BE. SWEET ON. dessert shop I visited on my last night at Seoul. Despite having returned from Seoul for a week, I am haunted by memories of its sublime dessert.

Visiting Namdaemun Market and Insadong on my last day in Seoul

22nd of August. Saturday. My last day in Seoul. Decided to do some sightseeing instead of catching some films at CINDI.

The first place I went to was the Namdaemun market, which reminded me of Petaling Street.

Cinema Digital Seoul Film Festival 2009 party (... or one of them)

One more day left in Seoul.

Yesterday was my last day in KOFIC lab. Mr. Oh has finished the colour correction and we also got ourselves some nifty end credits too. Once I return to Malaysia tomorrow, Ming Jin will be working on the sound mixing with Soundwave, then the film transfer. Too bad I won't be able to see all those. But I'll be excited to see WOMAN ON FIRE LOOKS FOR WATER having its world premiere at October's Pusan International Film Festival in glorious 35mm. *sob*

An Interview with Justin Isis

Justin Isis lacks abdominal definition

For me, literature should be as exciting and energising as pop music. I am now 37 years of age, and of a generation for whom pop music was both a personal journey of discovery and something that has always been there. I suppose that for those younger than me, at least the 'has always been there' part of this description must hold, if not all of it. It has been a source of puzzlement to me, therefore, that the sensibility of pop music – all that is best about it in spontaneity, daring and role-play – somehow has not managed to permeate the world of literature. I don't mean this in any superficial sense, that authors should all start wearing shades and writing in American hipster slang (by golly!). No, literature need not relinquish any intellectual depth by learning from pop music – it can even gain some.

Because, for me, interests in literature and pop music were equivalent and intertwined, when I first started having work published, I thought about the entire project through a pop music sensibility. My first collection, The Nightmare Exhibition, was a 'concept album', in which the title story provided a meta-narrative for the other stories. This, for me, was only the start, or so I thought, until I found that my 'concept albums' were being broken up by publishers who would reject and accept stories with no regard for the song-cycles to which they belonged, who did not care for my pretentious collection titles and who gave me little or no control over artistic presentation.

I had thought that any artistic path should resemble that described by David Bowie in the song Star:

I could play a wild mutation as a rock'n'roll star.

However, some years of the oblivious plodding attitudes prevalent in the world of publishing made me despair of such a thing. There was no David Bowie of literature.

This could be a long story, but I'll cut it short. Justin Isis got in touch with me over the Internet, after reading an online interview of mine, and my faith in literature has become invigorated, precisely because he is a writer who understands the lack of vision in literature as it currently exists. He is also a writer quite capable of the wild mutations that make pop music, at its best, so vital and exciting.

Not long ago, an e-mail from Justin Isis to myself contained the following:

I feel like writing is at least twenty or thirty years behind music... Music seems to have reached a total point of convergence, where genre doesn't really matter anymore. Writing still seems very genre stratified. I also feel like writing is really lagging behind in using technology. I don't mean stupid shit like the Kindle or e-books or whatever, but I mean actual programs for generating text or producing fiction, or database-programs that could be used for combining or mashing up texts based on common words or phrases. If you Google literary mashups, there is like nothing serious that comes up. I really can't believe that I may be the only person that gives a
shit about this.

I really feel like writing now has the potential to be a thousand times better than writing has been in the past. It should be, but no one seems to be doing anything about it. I feel like Susuki is properly "of its time" in that it feels to me like where writing should realistically be now, rather than everyone who is writing like it was still fifty years ago.

It was after reading this that I decided that I must interview Justin Isis, and put that interview out there (on here). And that is what I have done. I hope you find the results exciting and arousing.

-Quentin S. Crisp

大馬新晉導演殺進威尼斯影展 (China Press, 18/8/2009)

Here's an article from China Press. Didn't get to scan it, but link to original article is here. During the phone interview I was asked whether I was representing Japan at the festival, since Kingyo's a Japanese production, but I actually listed the film as a Japanese-Malaysian co-production. Rest of the blog post will be written in Chinese again.

哈罗， 我是杨毅恒。 今天和大家分享来自中国报的访问报道。

《金鱼》入围威尼斯影展短片单元。 杨毅恒： “像到了‘神坛’” (Sin Chew Daily, 15/8/2009)

I was on Sin Chew Daily last Saturday, didn't know about it until some friends told me via Facebook.

The article, which was about KINGYO going to next month's Venice Film Festival, is entirely in Chinese. But I was quoted as saying that "a friend of mine mentioned that going to Venice is like going to a 'Pantheon'." (actually I was quoting an interview article I read from my friend, Singaporean filmmaker Eva Tang 邓宝翠" (in 2002, she was the first Singaporean filmmaker in history to get her short film into Venice Film Festival, we met in at the Berlin Film Festival earlier this year)

I'll include the entire article below. (The rest of this blog post will be written in Chinese...)



嗯， 大家好， 我就是杨毅恒。 这部落平时是用英文来写的， （因为自己的中文文笔蛮乱七八糟的）。 但是既然在下的短片“金鱼”入围威尼斯短片单元这好消息是中文报纸刊登的， 我就用中文来跟会对中文的读者们打个招呼以及分享这文章吧。

（这文章好像是上个星期六刊登的。 ）

Demonstration in front of Hongik University on Korean Liberation Day

Went to the Hongdae area again yesterday for the Seoul Fringe Festival. I'll post up videos of some of the nicer singing performances I saw when I return from Seoul (Youtube has disabled commenting and video uploading for Korean users).

It was the Korean Liberation Day, and I thought I saw a demonstration in front of the Hongik University. In this video, you'll see me posing handsomely around the 40-second mark.

Colour grading WOMAN ON FIRE LOOKS FOR WATER and exploring Samcheong-dong

Third day in Seoul. Finally began work on the colour grading of WOMAN ON FIRE LOOKS FOR WATER in the Digital Intermediate Lab in KOFIC. Here's Ming Jin and I 'posing' with our main actor Chung Kok Keong in the lab.

KOFIC Tour, Korean BBQ and the awesome Hongdae area

Yesterday was my second day in Seoul. I managed to eat some delicious Korean BBQ for dinner.

My short film, KINGYO goes to the 66th Venice Film Festival

Rukino Fujisaki and Takao Kawaguchi in KINGYO


I knew about this a few days ago, but now the line-up's for the Corto Cortissimo (international competition of short films) of the 66th Venice Film Festival is officially out, I can finally announce it myself too.

My short film, KINGYO, will be making its world premiere at the 66th Venice Film Festival next month. To be in the oldest and one of the most prestigious film festivals in the world is an honour beyond my wildest dreams. Of course, this would never have happened without the cast and crew of KINGYO, thanks, guys. Some of us will be going to Venice.

Arriving at Seoul

Reached Seoul this morning. Took a bus to the service apartment booked for us. Then headed off to the Kofic (Korean Film Commission) offices at 1pm.

It was raining.

That's the Nandaemun, located in the heart of Seoul.

Heading to Seoul for WOMAN ON FIRE LOOKS FOR WATER post-production

I was sifting through the photos I took with my old camera when I found a number of production photos from WOMAN ON FIRE LOOKS FOR WATER, a feature-length film I produced earlier this year. The film's written and directed by Woo Ming Jin.

This film, financed by the Asian Cinema Fund and the Hubert Bals Fund, was shot back in March at Kuala Selangor, and after returning to Malaysia last Monday, I've spent quite a number of days finalizing its edit with Ming Jin. We will be bringing the entire film to Korea tonight for the final stages of its post-production, like colour correction and film transfer.

The film shoot lasted for nearly two weeks, and because it was quite hectic, I didn't really snap any photos most of the time.

Genius kids make me feel puny

Sorry for the lack of updates since I came back to Malaysia, been really busy with stuff. And I feel demotivated since internet connection here's light ears slower than the one I had in Tokyo, have difficulties uploading photos, let alone videos!

Anyway, I was at the first day of the Klang Creative Fest 2009 yesterday because there was a screening of a couple of films I was involved in, like KURUS and THE ELEPHANT AND THE SEA, and after that I presented my short films, CHICKEN RICE MYSTERY (which just got invited to next month's Calgary Film Festival, I'm surprised it still has festival life!) my little-seen experimental video essay FLEETING IMAGES (I decided to take it out cos it got invited for competition at next month's Singapore Short Film Festival), LOVE SUICIDES (gonna be in competition at next month's Split International Film Fest in Croatia) and then AFTERNOON RIVER, which was shot in Klang back in April and was really commissioned for the Creative Fest. In the end I decided to throw in my Groundhog Day-influenced romantic comedy 3PM because I wanted my screening to end on a lighter note, and people were influenced about my Japanese works (I didn't screen Kingyo for reasons I will explain in a few days)

But prior to my screening, I was walking about the fest, and saw many things that humbled me. Like genius kid painters.

Presenting my short films on 8th of August (Saturday)

I'm presenting three of my short films at the KLANG CREATIVE FEST, held in Klang Centro (map) on the 8th of August, 4:30pm. (exactly a year after the opening of the Beijing Olympics 2008 :D )

The first one will be the comedy, CHICKEN RICE MYSTERY, which won an Honourable Mention award and a Best Acting award (for lead actress Kimmy) in the BMW Shorties 2008 before screening at the Dubai and Naoussa Film Festivals (Greece).

Some stills from my new short film THE WHITE FLOWER

The shoot for THE WHITE FLOWER ended around 12:30am this morning. I borrowed my friend Zhi Feng's house for the shoot. Everything was so hectic that I forgot to whip out my own camera until we were about to finish things.

Rest in peace, Ah Teong

The second day of the The White Flower shoot went on smoothly. I managed to wrap things up half past midnight. I will write about that later.

I came home just now and received a MSN message from my dad that Uncle Martin, the husband of my dad's sister (I called him 'Ah Teong', which was from the Teochew dialect), had just passed away this morning from cancer.

THE WHITE FLOWER shoot - Day 1

The cast and crew of THE WHITE FLOWER on top of the Futtsu Viewpoint structure. From left to right: Niklas the cinematographer, Zhu Dan the actress, me, Toro Inamura the actor, Kong the assistant director/ reluctant actor

31st of July. Principal photography for my short film, THE WHITE FLOWER (mentioned in my previous post) began.

Preparing a new short film, THE WHITE FLOWER

(Photo by Martha K)

I'm flying back to Malaysia next Monday (3rd of August), and thus ends the dream-like 3rd session of my stay in Japan. Long have my Finnish friend Niklas and I have spoken about working on a project together, in fact, when we went to explore the abandoned ruins in Sagamiko back in May, our true intention was location scouting.

Rest in peace, Yasmin Ahmad

(photo from Yasmin's flickr account)

Yasmin Ahmad has passed away.

Quick thoughts on BMW Shorties 2009's finalists

(UPDATED 26th of July, 2009: Yasmin Ahmad has passed away. Rest in peace.)

I received a DVD of this year's BMW Shorties finalists two days ago because I was asked to voice my thoughts on the films. I watched them yesterday evening and gave BMW Shorties' Seet Heng some brief commentary, the original entry is posted here on the BMW Shorties website.

The shotgun-carrying Chinese lady... acts

Two weeks ago I wrote about how I helped Zhu Dan, the shotgun-wielding Chinese lady, secure an acting role in a short film by my Thai friend Kong. (who will be adapting a short story by occasional Guestblogger Justin later this year, produced by my KINGYO producing partner Maiko, with the help of some of my crew members as well)



Yesterday afternoon, Kong, who is now editing his film, needed to do some re-shoots of some scenes with Zhu Dan, thus they managed to re-enact the exact same shots from last month. Yes, the photo above, and the videos below, are shot a little more than a month apart (photo above taken on the 20th of June 2009, videos below taken on the 22nd of July 2009). Bet you can't see any differences at all!

LOVE SUICIDES in competition at the Festival Internazionale del Cinema d'Arte

I've never mentioned this earlier because their website is only in Italian and I wasn't sure about the details.

But I was emailed earlier that LOVE SUICIDES will be screening at the Festival Internazionale del Cinema d'Arte in Bergamo, Italy today. The film is one of the 18 short films around the world selected for competition under the Sottoventi category (PDF of the entire line-up). Once again, I'm honoured.

I hope the screening will go well!

LOVE SUICIDES will also be screening at some other European festivals over the next few months, you'll be hearing about it here.

Visiting Tokyo DisneySea

I had slightly more than 2 hours of sleep before I woke up at 5:30 in the morning and prepared for my first ever trip to Tokyo DisneySea.

Prior to the opening of the Hong Kong Disneyland, I always felt childishly gleeful that I could brag about having visited every single Disney theme park in the world:

Cure Rubbish, band name or manifesto?

When I walked past the NHK Broadcasting Centerbuilding at Shibuya last Wednesday night, I saw a band setting up for a performance.

There was a sign next to them, and the words 'CURE RUBBISH'.

I was a dino dork

The first time I went to Ueno Park was last November, when autumn's touch had infused upon it the colours of red and gold. (Not to be narcissistic, but I did take some bloody good photos that time) What left the most impression then were the wilted lotuses at the Lotus Pond (part of the Shinobazu Pond).

She must've felt out of place watching The Galaxy Girls Club

Last Saturday, when I went off to Akihabara to buy some blank DVDs, I happened upon a live event at the Live Park in Akiba (which, to the uninitiated, is not a real park, but the first floor of the Sato Musen electric store, opened earlier this year for numerous mini-concerts and live events, I heard mostly to convince authorities to reopen Akihabara's 'Pedestrian's Paradise' that had been closed since last year's Akihabara Massacre)

Mitama Matsuri at Yasukuni Shrine 2009

(UPDATE: Check out the photos and videos of MITAMA MATSURI 2010 too if you like this post)

I went to the Mitama Matsuri (Soul Festival) at the Yasukuni Shrine yesterday. It is a festival that honours the dead.

Sichuan Hot Pot... in a rice cooker

Last night was the last night of Steve's visit in Tokyo. My friends from China, Yang Yang and Zifeng invited both of us to have the much famous Sichuan (or Szechuan) "ma la" (numb and spicy) hot pot over at Zifeng's place. The meal was prepared by the chick, Echo (or Ecco, not sure), who's from Chengdu, Sichuan.



Great meal!

Hozuki Ichii (Ground Cherry Pod Fair) at Senso-ji 2009

The last time I went to Senso-ji at Asakusa was nearly two months ago, for the Sanja Matsuri (check out the breathlessly evocative photos I've taken of the festival here).

When I went there again yesterday, they were having the Hozuki Ichi (Ground Cherry Pod Fair), in which hundreds of street stalls were set up to sell ground cherry pods and wind chimes.

The BEAUTIFIED TABOO art exhibition

I brought Steven to the BEAUTIFIED TABOO art exhibition at SuperDeluxe in Roppongi last night. The BEAUTIFIED TABOO, in its second year, is the brainchild of Tokyo-based German/Vietnamese artist Vivienne U.H. Doan. Let me quote its origins from a Japan Times article.

(The BEAUTIFIED TABOO) is an exhibition showcasing works by some of Tokyo's better-known experimental and international artists that attempts to investigate, as well as beautify, taboos.

Doan got the idea when she started to question both Japanese and foreign people on what they felt was taboo. Intrigued by the variety of answers and feelings she encountered, she took the ideas and "beautified" them, adding an artist's perspective to socially explosive concepts. Naturally, ideas relating to the human body, sex, violence and death are well represented.

Here's a list of the featured artists for this year's exhibition: