I had no high hopes for Eragon. All I've hoped for was some campy, silly fun where the filmmakers would choose not to be too faithful to its source material, after all, the source material, the first book of a fantasy trilogy published when author Christopher Paolini was 19 (back in 2003), isn't Lord of the Rings nor Narnia, just a work of a fantasy fan that happened to appeal to many other fantasy fans due to the popular, conventional fantasy elements he had used in his book. In my opinion, it's much better for a filmmaker to not view a source material with so much reverence that he would end up not being able to take the necessary creative liberties that could optimize the quality of the film, we know what might have worked on paper wouldn't have worked onscreen.
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Monday, December 18, 2006
ERAGON
I had no high hopes for Eragon. All I've hoped for was some campy, silly fun where the filmmakers would choose not to be too faithful to its source material, after all, the source material, the first book of a fantasy trilogy published when author Christopher Paolini was 19 (back in 2003), isn't Lord of the Rings nor Narnia, just a work of a fantasy fan that happened to appeal to many other fantasy fans due to the popular, conventional fantasy elements he had used in his book. In my opinion, it's much better for a filmmaker to not view a source material with so much reverence that he would end up not being able to take the necessary creative liberties that could optimize the quality of the film, we know what might have worked on paper wouldn't have worked onscreen.
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