Discussing my short film 'EXHALATION' with Toronto J-Film Pow-Wow

Less than two days left before I head off to Rotterdam International Film Festival, so pardon the onslaught of EXHALATION stuff here.



While preparing an EXHALATION press kit for the festival last week, I enlisted the help of Toronto J-Film Pow-Wow's Marc Saint-Cyr to conduct a short interview regarding the film.

Marc Saint-Cyr had previously reviewed EXHALATION.

The short interview is here.

I'll share an exchange from the Q and A regarding why I alternated between black-and-white and colour in the film.

MSC: How did you decide which sequences in the film would be in black-and-white or color?

EY: The black-and-white, was, in fact, a last-minute decision made during post-production. I remembered reading an interview with Andrei Tarkovsky where he pointed out that a black-and-white film immediately creates the impression that your attention is concentrated on what is most important. On the screen, color imposes itself on you.

In order to underline the melancholic undertone of the film, I decided to drain most scenes of their colors. I inserted colours in certain scenes when I needed to accentuate the emotional states of the protagonists. A feeling of brief warmth, or lingering sadness, or an abrupt break from monotony. In the end it was an experiment of sorts for storytelling.

(UPDATED: The Tarkovsky interview I was referring to is here.)